《大北方第四季》独立电影：揭秘娜塔莎的过去与未来-影视

《大北方第四季》独立电影：揭秘娜塔莎的过去与未来

2024-09-24

德国电影大师展*天山。金发女郎诅咒，“我只会爱，不会别的”更像在唱教授，和《大北方第四季》类似，换丝袜成为情欲与身份的暗示（这个场景也让人想到《大北方第四季》），它划出一道鸿沟，让“突破身份”的浪漫，成为“丧失身份”的深渊。当化妆小丑的教授对镜枯坐，机位的角度使得镜中空空如也（对应后面空的礼帽），只有爱人（曾是的爱人）经过，才留下了幻影般的镜像。小丑的旁观、鸡叫和空教室镜头都形成了强烈的对比，但剧情稍欠缺转变的逻辑。教授和康德同名（伊曼努尔），反复出现的钟声难道是梗么…Akerman brings to world cinema a level of sensitivity & perception that surpasses the best of men (Rohmer, Bergman, Antonioni, Bresson). Les Rendez-vous d'Anna is at once warm and detached, familiar yet strange, funny but serious. It's a film where the personal intersects with the historical; the sexual with the political; and the particular with the universal. Ackerman dissects, deconstructs, and redefines the elements of cinema that JLG never managed to do.Ham turns to his family for help in writing a speech for his Public Speaking Elective and is pitched three competing stories from Judy, Beef and Honeybee inspired by Top Gun, Good Will Hunting and The Matrix.